Where we live
shapes how we live.
THE CONNECTION —
I spent years adapting
to where I lived.
Then I started noticing
what it was doing to me.
I moved a lot growing up. Later, performing meant tour buses, cruise ship cabins, hotels, temporary apartments—wherever the work happened to take me. I got very good at adapting to wherever I was.
What I didn’t understand yet was how much those places were affecting me in return. Where I rested. How I worked. How settled I felt. Even the choices I made when somewhere never quite felt like mine.
Eventually, I took an interior design class mostly out of curiosity. Something clicked. I began looking at space differently—not simply as something to make beautiful, but as something that participates in the way we live.
That curiosity became a career. I went from styling homes for television to residential projects, showrooms, furniture buying, and eventually my own studio. Over the next decade, I learned just how many small decisions come together to change the way a place feels.
THE EYE —
The way you live
tells me
where to start.
Before I think about what belongs in a space, I want to understand what happens there. How you move through it. Where you naturally settle. What you reach for. What you avoid. What makes life easier—and what quietly gets in the way.
Then I start designing.
SELECTED WORK —
Spaces shaped
by real life.
Homes, showrooms, collaborations, and spaces prepared to be seen—different kinds of work, all shaped by how people actually live, move, gather, and experience a place.
Collected Rooms
RESIDENTIAL DESIGN · MULBERRY’S HOME
01 —
During my early years in residential design, I spent several years with Mulberry’s Home, a Piedmont, California showroom and design firm. The work embraced color, pattern, textiles, and collected pieces—teaching me to trust the mix and create rooms that felt layered, personal, and entirely their own.
Oakland Hills
02 —
WHOLE - HOME DESIGN
An evolving home shaped over time, from architectural finishes and furnishings to the smaller details of everyday life. Each decision considers the house as a whole—and how the people who live there move, gather, work, rest, and change with it.
Camera Ready
03 —
STAGING · STYLING · REAL ESTATE
Preparing a home to be seen is its own kind of design problem. Through staging, styling, and thoughtful updates, I look at what’s already there, what isn’t working, and what can change—bringing the space into focus without necessarily starting over.
A Soft Side
DESIGN COLLABORATION · SONOMA COUNTY
04 —
This collaboration asked me to apply my eye in a very different aesthetic language—softer, earthier, and more restrained. Natural materials, quiet color, relaxed layers, and an emphasis on comfort created spaces that felt approachable, personal, and unmistakably like home.
DESIGN, NOW —
The project matters.
The people matter more.
These days, I’m selective about the spaces I take on—not because they need to be a certain size, style, or type, but because the relationship has to be right. I do my best work when there’s trust, curiosity, and room to really understand how someone wants to live.
Sometimes that means rethinking an entire home. Sometimes it’s one room that never quite worked. Sometimes it starts with a question about furniture, color, or layout and turns into something larger once we understand what the space actually needs.
I’m interested in spaces that feel considered without feeling precious—beautiful, functional, personal, and specific to the people living in them. The goal isn’t for a room to look like mine. It’s for it to feel unmistakably like yours.
Have a space in mind?
You don’t need to have it all figured out. Tell me what’s working, what isn’t, or simply what you’ve been thinking about.